Rooftops: A Just Cause Universe Novel
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About this ebook
The werewolf without a pack . . .
By night, Jackie Langdon is the outlaw vigilante White Fang, fighting crime in Reno . . . except when the moon is full, and she transforms into a savage werewolf with an indiscriminate bloodlust that can only be contained by locking her in a cage until sunrise.
The vampire hunting her . . .
For the last century, vampire Charlotte Pastor has slain werewolves for her secret society, The Midnight Collective. When assigned to shut down White Fang, she figures it's just business as usual.
An uneasy alliance . . .
A supernatural force arises to threaten werewolves, vampires, and humans alike. With no time to find other allies, Jackie and Charlotte must set aside their differences. If they can't learn to trust one another, the world will pay the price.
Ian Thomas Healy
Ian Thomas Healy is a prolific writer who dabbles in many different speculative genres. He’s a ten-time participant and winner of National Novel Writing Month where he’s tackled such diverse subjects as sentient alien farts, competitive forklift racing, a religion-powered rabbit-themed superhero, cyberpunk mercenaries, cowboy elves, and an unlikely combination of vampires with minor league hockey. He is also the creator of the Writing Better Action Through Cinematic Techniques workshop, which helps writers to improve their action scenes.Ian also created the longest-running superhero webcomic done in LEGO, The Adventures of the S-Team, which ran from 2006-2012.When not writing, which is rare, he enjoys watching hockey, reading comic books (and serious books, too), and living in the great state of Colorado, which he shares with his wife, children, house-pets, and approximately five million other people.
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Rooftops - Ian Thomas Healy
ROOFTOPS
A Just Cause Universe Novel
IAN THOMAS HEALY
Copyright 2019 Ian Thomas Healy
Published by Local Hero Press
Smashwords Edition
Smashwords Edition, License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords and purchase your own copy. Thank you for respecting the hard work of this author.
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
This book, its contents, and its characters are the sole property of its author. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise) without written, express permission from the author. To do so without permission is punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.
Cover art by Scott A. Story
Book design by Local Hero Press, LLC
Books From Local Hero Press
The Just Cause Universe
Just Cause
The Archmage
Day of the Destroyer
Deep Six
Jackrabbit
Champion
Castles
The Lion and the Five Deadly Serpents
Tusks
The Neighborhood Watch
Jackrabbit: Big in Japan
Arena
Hero Academy
The Path
Cinco de Mayo
Search and Rescue
Rooftops
Plague (Fall 2019)
Just Cause Universe Omnibus, Vol. 1
Just Cause Universe Omnibus, Vol. 2
The Bulletproof Badge
Pariah of Verigo Novels
Pariah’s Moon
Pariah’s War
Three Flavors of Tacos Trilogy
The Guitarist
Making the Cut
The Scene Stealers
Other Novels
Assassin
Blood on the Ice
Funeral Games
Hope and Undead Elvis
Horde
Strings
Starf*cker
The Oilman’s Daughter
Troubleshooters
Collections
Airship Lies
High Contrast
Muddy Creek Tales
The Good Fight
The Good Fight 3: Sidekicks
The Good Fight 4: Homefront
The Good Fight 5: The Golden Age
Caped
Nonfiction
Action! Writing Better Action Using Cinematic Techniques
All titles and more available wherever books and ebooks are sold.
Table of Contents
Author Notes
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Author Notes
Some stories come together as easily as Superman leaping a tall building or moving faster than a speeding bullet. Others are brought into the world kicking and screaming and fighting every inch of the way. Rooftops is one of the latter ones. The first draft was written in November of 2010 for National Novel Writing Month. At the time, I was looking to cash in on the vampire/werewolf craze (and I still am, obviously), but wanted to combine it with my love for superhero fiction. The Just Cause Universe was ticking along, but I didn’t want to pollute
it with supernatural influences, so I set the book in a fictional locale called Mesa City—a tip of the hat to all the fictional cities in the DC Comics universe. Rooftops eventually made it out as an ebook, but I was never happy with it. I couldn’t get a cover I liked. I couldn’t get any traction with it. Eventually I took it off sale and trunked it, as I have done with other projects.
Fast forward to 2019, when the Just Cause Universe is zooming along, and I’m branching out stories into different character arcs, sometimes with long-reaching plot lines. If you’ve been reading along since the beginning, you’ll know, for example, that things I set up in Just Cause paid off eleven books later in Arena. This is all by design. Earlier this year, I started planning ahead for a huge crossover story that would involve characters from multiple story arcs coming together in a massive tale called Extinction Event. Before I can write that one, I have to write multiple books to set the stage for it—moving pieces around the board of the Just Cause Universe. In some cases, I have to write books to set up the set-up stories. Suddenly, I realized that Rooftops could be, with some tweaking, one of those set-up books.
A lot has changed from the original story. Now it’s set in a real location, like the rest of the JCU tales: Reno, Nevada. Characters have changed gender and sexual preference more than once in the course of revisions. Plot points have been switched around, dispensed of, or changed entirely from the original book. What does this mean for you? Hopefully a better experience as a reader, and the knowledge that werewolves and vampires do exist within the Just Cause Universe.
They just keep it a secret.
* * *
As always, I have a list of people without whom this book would never have come to pass. I have my original editor Allison to thank, and my more recent beta reading team of Ira, Adrienne, and newcomer Andrew—who is working on a JCU project himself. Between them, they have helped bring this project together. I want to thank my original cover artist Cat, who never quite found her footing with the first cover, and my current artist Scott, who bucked conventional comic book-style art to produce the fantastic bold cover gracing this volume. My family, as always, has been incredibly supportive of this ridiculous eccentric writer lifestyle, as Jackie’s Jenn called it. And finally, thank you to all my fans who buy books, write reviews, and spread the word. I love you the mostest!
-Ian Thomas Healy
September, 2019
Return to Table of Contents
Chapter One
November 2012
Reno, Nevada
Jackie was a nighttime costumed vigilante, and that wasn’t even the most interesting thing about her.
The waning Moon hid behind a mask of clouds, dropping a chill rain on the rooftops of Reno. Jackie was glad of the fur over her head and shoulders. The cold-weather version of her matte-black bodysuit kept her warm and dry, but rainwater still seeped in through the eye holes of the cowl and ran down her face to soak her undershirt collar. Maybe Dominica could fashion artificial tear ducts to route water down the sides of the mask’s snout instead.
The sound of rapid splashing footsteps pulled her attention from the discomfort of the damp collar and reminded her that out here, she wasn’t some spoiled writer, she was the masked vigilante known as White Fang. She padded to the edge of the rooftop and peered into the alley below. Someone didn’t have the sense to get out of the rain. The irony of the observation was not lost upon her.
A slender man ran up the alley. He turned to look behind him, tripped over a trash bin, and splashed face-first into a puddle. A large, leather-bound portfolio spun from his grasp. Two more figures entered the alley, moving with swift, silent purpose. The man scrambled to his feet, slipped on some trash, and fell again. He didn’t cry out for help, perhaps too frightened of what appeared to be an attempted mugging.
Jackie would even the odds. Nothing warmed one on a chilly night like administering a good old-fashioned beating. She reached into her belt and triggered Dominica’s bollix device. The short-range signal blocker interfered with cell phones, radios, and CCTV cameras. The best way to maintain the urban legend of White Fang was to make it difficult for anyone to obtain tangible proof of her existence. The beast within her breast yammered, screaming to be let loose, shrieking for blood. She bit her own lip until it bled. The sharp pain and coppery taste helped her focus without becoming the monster.
She went over the side.
Her superhuman muscles absorbed the impact of dropping a few stories with no more effort than if she’d jumped off a curb. She landed in a crouch behind the two aggressors. One of them withdrew a spray can from inside his jacket and blasted it in the face of their intended victim as he tried to regain his footing. The young man collapsed without another sound.
The cloying spray was sweet, a mixture of flowers and incense and opiates, strong enough to make Jackie’s head spin. Despite the heavy scent, Jackie’s tainted blood kept her alert. Tungsten steel claws at the toes of her boots sparked against the wet cement. She spread her hands wide to display similar claws at the fingertips of her gauntlets, lowered her head to emphasize the wolf’s-head cowl. "Let him go." The growling voice sounded rough and masculine thanks to the modulator Dominica built into the cowl because Jackie’s own voice wasn’t threatening enough.
The men didn’t even turn to look.
They bent down to pick up their unconscious victim. Nonplussed, Jackie stepped forward, grabbed one by the shoulder, and spun him around. I said, let him go.
A rotting stench of death and chemicals washed over Jackie, thick and powerful even in the rain. Greening tumors grew on the cheeks of the man’s dead-white face . Jackie froze with the horror of the man’s appearance.
The man swept his arm back and flung Jackie across the alley. She smashed against the concrete wall. Pain shot through her as ribs cracked at the collision, too much for even her kevlar-weave bodysuit to absorb. Her unnatural healing knitted the bones back together in an instant, but the impact still jarred her. Stunned more than hurt, she shook herself and jumped back to her feet. The man who’d struck her wore what might have once been a nice suit, but it hung in tattered rags. Why does he smell like a dead man? And what the hell is he, a super-strong parahuman?
Her lip curled into a snarl. Two could play at that game.
She growled like her namesake, blood boiling. Her face tingled as the beast within her struggled to free itself and her bones and muscles tried to reshape themselves into something much less human. She forced it back and tempered the rage as she dug her tungsten claws into the man’s shoulder and threw him against the concrete. The wall cracked when he hit it, but even then, he uttered no sound as he collapsed to the pavement.
Jackie whirled to confront the other aggressor, whose face was even more decayed. She saw yellowed teeth through an actual hole in the side of his face. The reek of death and decay made her head spin. She had no doubt the man before her was very dead, yet moving with an offensive semblance of life.
Zombie!
Even in a world where people could fly unaided, shoot lightning bolts from their hands, or shatter buildings with a single blow, Jackie had never heard of such a thing.
Moving with surprising speed, the zombie hooked its fingers into claws and swung awkward but fast strikes at her. Jackie deflected them with the tungsten-plated gauntlets, backing away as the monster advanced. Her breath steamed in the chilly rain, but no breath came from the animated corpse.
She forgot the other zombie and nearly paid for it with her head. As hard as she’d thrown him against the wall, he should have been unconscious and broken, but instead he swung a section of pipe at her from the side. She ducked one blow and deflected another with her forearm, cracking both bones. In the moment when she couldn’t use her arm, the other zombie grabbed her from behind and squeezed, trapping her elbows against her ribs. The zombie with the pipe raised it and shoved the rusty end at Jackie’s face. She bent forward at the waist to pull the zombie behind her into the blow.
The pipe hit the zombie’s face with a juicy splatter. The creature released Jackie and staggered back a few steps. Jackie braced her hands on the ground and kicked hard with both feet, driving the zombie back farther, the length of pipe still embedded in his face. He fell onto his back, hands flailing at the pipe sticking straight up from his head.
Hole-in-the-face zombie, once again unarmed, went for Jackie. with decaying fingers hooked into claws. Even with his unschooled lunges and swipes, she was hard-pressed to avoid his grasp. He was far and away the strongest, fastest foe she’d ever battled—a far cry from the drug dealers and petty lowlifes she normally fought.
He caught her with a glancing blow off her shoulder and his other hand hooked onto her cowl. Before he could tear it off, Jackie slashed with her tungsten claws and ripped the zombie’s face off his skull.
Except instead of a skull, another face lurked beneath the
gruesome, decayed ribbons of flesh, as if it had been wearing the dead human as a costume. It had no features save for a mouth three times as wide as it should have been, with at least a hundred gleaming teeth. The remaining shreds of the zombie’s face tore away. The apparition hissed at her like a pressure valve releasing on a boiler, its breath as foul as an open sewer.
Jackie, desperate to destroy this new horror, grabbed the pipe stuck through the other zombie’s skull and yanked, tearing the head loose. Rancid green smoke poured from its stump of neck. She whirled and lunged at the
mouth-creature, impaling it right through its gaping maw with the broken pipe. The horrible face vanished, leaving only a dead body with a pipe shoved through its face. Jackie twisted and wrenched the pipe to one side and, with a meaty rip, separated the zombie’s head from its body. Common lore said decapitation was effective against the undead. She didn’t know if that was true in reality but it seemed safer than any other immediate alternative.
Blood thundered in Jackie’s ears as she balanced on the balls of her feet, waiting to see if the zombies would rise again. Smoke ceased pouring from their neck stumps after a few seconds. A minute later, when neither creature had moved, she decided she’d won. Her heartbeat slowed from its combat rate and her body ached as it worked to heal the damage she’d sustained.
Man,
she said aloud. I need to give myself a raise.
Then she smiled beneath her cowl; that wasn’t a White Fang statement so much as a Jacquelyn Langdon phrase—something a character from one of her Silverback books would say.
The stench of decay and unfamiliar chemicals made her wonder if they’d been borne from tubs of some evil concoction. How does one make a zombie, anyway?
She removed one of her gauntlets and knelt to check on their victim, who lay unmoving in a puddle. His pulse beat strong and his breathing was slow but regular. The zombies had intended to capture this young man alive instead of kill him and eat his brains—if that was what real-life zombies did. What good was he to them? Or were the zombies following orders?
Jackie loved a good mystery, and White Fang was just the vigilante to solve it.
She touched a hidden button on her belt to recall her self-driving truck. Two miles away, the large black pickup with the sloped camper shell engaged its engine so the onboard computer could guide it to her.
While the truck approached, Jackie considered the best way to dispose of the bodies. She didn’t consider herself having killed them, as they had clearly already been dead when they’d attacked. The police wouldn’t see it that way, and she was already wanted in connection with dozens of assaults. They took murder investigations much more seriously, and if they decided she was a parahuman, she might wind up having to contend with Just Cause coming after her. If she was in custody at the wrong time of the month, her secret would be out and she’d never see the outside of a cage ever again. They’d send her to Deep Six—or worse, a black site science lab. She’d spend the rest of her life as a lab animal, being poked and prodded by scientists and doctors trying to understand what she was.
The grocery store’s large trash compactor would be the best bet, pulping the bodies into unrecognizable jelly. She popped open an access hatch atop the huge steel bin and was rewarded with the stench of rotting produce and piles of boxes not yet crushed. With tenements right behind the store, the manager probably had established rules about when the compactor could be used. Jackie wondered if anyone had heard the noises of the battle, but after replaying it in her mind, she realized that as far as fights went, it had been strangely quiet.
Jackie lifted the two zombie bodies up to the hatch and shoved them inside the bin one at a time, using the broken pipe to push them deep enough into the garbage that they wouldn’t pop out with compaction. Their heads went in next, along with what gore she could wipe away from her costume. Dominica was going to be furious about the stains, but upon reflection, they were better than stains from Jackie’s blood.
She sealed the access hatch just as her truck rolled into the alley. It sickened her how calm she’d been about the killing and disposal of the bodies, but she and death had been close companions her entire life. She had vivid memories of tearing open the throats of animals and feasting upon their steaming innards. A human had never died in her jaws, but she lived in constant fear that it wasn’t a question of if she would kill, but when. She risked it every night she went out as White Fang. One bad injury or loss of control, and the beast would escape, even on a moonless night.
Instead of suffering in silence, fighting criminals had given her an outlet for her aggression. Therapeutic violence, her doctor friend called it. Like some alcoholics had to maintain a certain blood alcohol percentage just to function, Jackie needed a certain level of violence to keep her beastly alter ego satisfied without letting it subsume her. She turned that violence toward the predatory elements of the city. Criminals feared pain, loss of respect, and embarrassment, and Jackie fought them by using those fears against them. She’d built up a decently fearful reputation among the denizens of the criminal underworld, and she grinned whenever she overheard whispers of The Wolf
who hunted them.
The Gazette-Journal had also gotten wind of her, and they were quietly offering a reward for a picture of White Fang. Dominica’s bollix made that nearly impossible, but Jackie knew sooner or later someone would snap a picture with a camera using actual film, and that would take some of the mystery away. Just Cause was a distant concern, but so far, she’d kept a low enough profile that the Parahuman Resources Administration hadn’t sent anyone to investigate her. At least, she didn’t think they had. The smartest thing would have been for her to hang up her cowl and never go on the hunt again, but crime wouldn’t stop just because she did, and she would still need a way to keep her brutal side under control.
She followed her nose to the zombies’ discarded spray canister and sealed it into a plastic container for further investigation.
Last, she lifted the man into the passenger seat of the truck. He was slender, with dark hair and eyes showing Asian heritage. His face was composed and serene in unconsciousness. Jackie strapped him into the seat and debated whether to bind his hands, just in case. She opted not to; she didn’t want to treat him as an opponent if she didn’t have to. He was a victim, and Jackie had a duty to see he would be all right. She retrieved his portfolio and slipped it behind the seat.
Jackie slipped behind the wheel and shifted the truck into gear. As she guided the large black vehicle from the alley, she thumbed the button on the wheel to call her doctor, Alix.
Yes, Jackie, what is it?
I’ve got a victim here that I want you to take a look at. He was attacked by . . . well, by zombies.
A normal doctor might have argued there was no such thing, but six months as part of White Fang’s team had opened Alix’s mind to many possibilities.
Sounds intriguing. You want a dissection and autopsy, then?
Jackie glanced at the young man in the seat beside her. No, he’s still alive. I’m hoping you can keep him that way.
Is he cute?
Alix, he’s a victim.
You never let me have any fun.
You’ve got lots of nifty toys in that lab. How is that not fun?
Good point. Bring him in, then. I’ll do my best, but I warn you. I’m having a bad day at the office.
Your bad days are still better than most doctors’ best days.
Flattery will get you everywhere, Jackie. See you soon.
She broke the connection and left Jackie to drive south in silence, heading for the mountains and her secret den.
Return to Table of Contents
Chapter Two
November 2012
San Francisco, California
Charlotte Pastor strode across the expensive granite floor. She was dark-skinned with tight black curls cropped close to her skull and the child of Jamaican slaves. To anyone not in the know, the San Francisco office building was just another faceless corporation, but to her and others like her, it was the North American home of the Midnight Collective, a centuries-old organization dedicated to the survival and anonymity of vampirekind. She flashed her badge to the human guards waiting at the metal detector and they waved her through.
The guards were