Learning the Fundamentals of Fiction: How to Become a Successful Beta Reader, #1

HOW TO BECOME A SUCCESSFUL BETA READER BOOK 1

LEARNING THE FUNDAMENTALS OF FICTION

DEDRIE MARIE

Copyright © 2018 Dedrie Marie

All rights reserved

Published by Little Nelson Press

Fort Worth, Texas

Cover Design by Iskon Design, Inc.

New York, New York

Lit-Lucrative is a trademark of Dedrie Marie and is used under license.

www.LittleNelsonPress.com

ISBN: 978-1-7327090-0-3

For Don and Geneva, who make so much possible.

CONTENTS

Start Beta Reading

Introduction

Recap

Recommended Reading

Part I

Editorial Overview

Genre-Specific Reading

Understanding The Author’s Goal

The Jargon

Part I Recap

Part I Recommended Reading

Part II

Creative Writing—The Basics

Genre Conventions

Part II Recap

Part II Recommended Reading

Part III

Beta Reading Etiquette And Tips

Beta Reader Expectations

Helpful Templates And Tools

Final Thoughts

Part III Recap

Part III Recommended Reading

About the Author

Notes

Additional Resources

Dear Reader

Disclaimer

Start Beta Reading

FREE WORKSHOP!

This free training will teach you all you need to know to get started beta reading for fiction authors:

www.DedrieMarie.com/start-beta-reading

Hope to see you there!

Dedrie Marie

INTRODUCTION

The Smartest Folks Read Introductions

You read in bed, on your break, while working (I won’t tell), in transit, on the treadmill, on the pot (um…gettin’ a little close for comfort there). You’d just as soon hit up Goodreads than Facebook. Awestruck—it’s the only way to explain how you feel about stories and their clever creators. The idea of being part of that creation captivates you. Even more so, it eludes you—I mean, you’re no writer, no editor. How can you grow beyond the average consumer without forking over years of study and thousands in tuition? Read on, fellow book junkie.

You absolutely can be an integral part of the story creation process with the right help. In fact, collaborative readers (beta readers) are in demand, my friend! And I can teach you everything you need to know to get the most fascinating gig in the world—a bibliophile’s dream—one you never knew existed.

Look, Amazon should just be called Amazing—straight up. Amazon leads the pack when it comes to innovation. And because of this innovative badassery, it’s managed to take the publishing world by the horns and flip it on its head. Gone are the days when an author is forced to submit query after query, waiting and wading through years of rejections from the big publishing houses. Don’t get me wrong. This is still an option. Authors still have the choice to take that chance. They may come out on top; or more likely, their arduous work will die a slow death deep in a slush pile on some desk. But it doesn’t have to be that way anymore. The answer? Thanks to Amazon—self-publishing.

It’s a whole new marketplace out there. This disruption in traditional publishing has allowed thousands upon thousands of writers to publish and distribute their work through Amazon and other platforms.

So what does that mean for me, Dedrie?

It means that there are thousands upon thousands of authors needing you to give your pretty lil’ two cents so they can put out the best dang book possible; that’s what it means! It’s called demand for creative feedback, and you could be the target of all that demand...wanted, needed. Sounds good, huh?

But I don’t have a degree in English or writing or editing or publishing, you say. How can someone like me—I mean, I work as a [bank teller, teacher, nurse, mom, florist, machinist, yoga instructor, dog groomer, student, Apple Store genius, hay baler]—what? I’m from small-town Texas; I’ve baled many a hay bale, honey.

So how can someone like me help a writer? I mean, my work is nothing remotely related to the writing world. How could someone like me possibly snag an awesome gig like that?

Beta reading.

Um, come again?

Beta reading!

The term beta is typically used in the software industry and describes an imperfect or rough release of a product. The beta testers review the product looking for problems and weaknesses before it is launched to the public. It’s a nitpickin’ nerd’s dream job.

I totally picture a room of nerdy gamers sitting in front of a giant screen saying Sheldon Cooper stuff like, Because you don’t have a girlfriend? Good lord, if that becomes a reason not to play Dungeons and Dragons, this game’s in serious trouble. I realize if you don’t watch Big Bang Theory, this may be lost on you…poor soul.

What was I saying? Oh yeah…betas. They are attempting to find every flaw a potential customer might encounter, flaws that would lower the perceived value of the product. And value is everything, right? So best to bust out these flaws before they land in the hands of the public.

In the literary world, these testers are beta readers, and they are doing the same: looking for problems and weaknesses in the manuscript. These issues range from structural issues to plot holes to underdeveloped characters to incorrect word usage and contextual flaws, even typos.

Note: Beta readers do not edit, copyedit, or proofread the work.

Although, you may find you are drawn to this copyediting/proofreading stuff. If so, maybe you should look into getting some training in that area and add it to your bookish skills. I happen to know someone who can help you out with that. Wink.

Um—me. It’s me, y’all. Jeez.

Check out the e-course COMMA SUTRA: Proofreading Fiction at www.DedrieMarie.com/lit-u.

Simply, the author is looking for assistance to improve their writing before it is presented for editing and/or publication. I call this collaborative reading, but the writerly world knows it as beta reading.

The goal of the beta reader is to provide honest, unbiased, useful, and constructive criticism to help the author improve the writing as much as possible before it is placed into the hands of an editor. In a sense, using beta readers can lighten the burden of the editor and, in turn, reduce the financial drain on the writer. Obviously more rounds of professional editing means more rounds of paying the big bucks. Why not help our cherished writers avoid these extra rounds?

Many beta readers are writers themselves and often read on a quid pro quo basis. You know, I’ll read yours if you read mine. (Somehow that phrase leads people’s minds straight into the gutter…tsk, tsk.) Some beta readers read for hobby. Some charge. It’s totally preferential. But do you have to be a writer to be able to fulfill this role? Not at all. In fact, most editors are not writers, yet they have the technical wisdom needed to improve the work. It’s just about having the knowledge of the fundamentals of creative writing and the skill set to use that knowledge and turn it into feedback.

As a beta reader, you will serve as somewhat of a junior-grade editor or pseudo critique partner with the expectation that you’ll throw in your opinions as a reader of the author’s genre. You’ll point out areas and give feedback but will not actually edit the work or brainstorm as a partner would. And because reading is your passion, the best quality that you most likely already have is that you are a voracious reader—you’ve covered the groundwork time and time again. But maybe you’ve not really noticed it on a conscious level. You just need to add a little awareness of that groundwork to your passion and you’ll be good to go.

A beta reader’s opinion is important to the author in that it is the opinion of a reader, not an editor or writer. There will be an appropriate time for an editor’s critique, but that’s not what a writer is after when they utilize betas. Authors cherish the opinions of their betas, and they specifically seek the opinions of beta readers who are fans of their genre. But the best ones are the ones that have the perfect balance of being a passionate fan of the genre and an understanding of what goes into creating a story within that genre. If an author can find those qualities in a beta—passionate fan, educated enthusiast, articulate reviewer—they’ll be forever grateful.

In fact, when I did my research before deciding to write How to Become a Successful Beta Reader series, there were two overwhelmingly frequent findings that grounded my decision to pursue teaching this skill: the you must use betas recommendations from authors and the what should I include question from those looking to beta read. When I searched for resources to answer that question, I came up short—no reference books; just some blog articles and worksheets here and there.

Just about every successful self-publishing author uses betas and recommends them—usually three to five even. Nick Stephenson, the international bestselling author of Reader Magnets, a nonfiction series for authors, and the Leopold Blake Thriller series says this about beta readers:

There’s nothing more powerful than having a group of dedicated readers give you feedback on your work prior to publication.

Oftentimes that recommendation comes with two caveats: you get what you pay for, and finding a good beta is not easy. (My goal is to change that second caveat.)

Being a genre fan and voracious reader is helpful but doesn’t necessarily give you the tools to be an effective beta reader. This is why most beta readers offer their services free of charge—they don’t brandish a strong skill set. Not to say all beta readers are ineffective; however, it is not uncommon for some to offer simplistic, unhelpful, and/or biased feedback such as Loved it! or I didn’t like the main character or I was bored. This alone is neither constructive nor actionable feedback. These areas could rightly need work, and the subjective feedback is crucial, but unless you can articulate some reasons why you feel this way, and give some actionable suggestions, it’s dang-near fruitless.

Also, it can be quite difficult to tell someone that their book needs an overhaul. You must be able to deliver tough information without sounding like a condescending jerk. You must be able to articulate your rationale behind this opinion and give them something to work with. Some folks give praise just to keep the peace. It’s like when you’re walking around with your skirt stuck up in your nickers and someone tells you how cute you look and stops short of sharing the dreaded news because they’re too afraid to say something that might embarrass you. Or you’ve mingled all night at an important event with a giant bat in the cave and no one had the decency to tell you. Really? Walking around with one butt cheek exposed or a booger hanging out of the nose is better than a quick uncomfortable conversation? How does this help? It doesn’t. What would have helped is if someone had said how stylish your outfit was but that it could use a little attention in the back and then kindly guided you to the nearest plant in the corner to inconspicuously attend to the wardrobe malfunction. Or handed you a Kleenex and suggested a quick trip to the ladies’ room. Instead, key players avoided you all night or wouldn’t take you seriously and you couldn’t figure out why.

It’s no different with beta reading. How would not being honest in a beta read help the writer? Well, it doesn’t, other than momentarily boosting a writer’s ego, which could later be obliterated by harsh reader reviews. A beta reader needs to be able to provide all feedback, even the negative, so that the writer has the best chance possible to smooth out any snags before the manuscript hits the desktop of an editor, generating editing fees that could have been avoided—or in the hands of the general readership and is met with scathing reviews.

I just recently met Jennifer Egan, Pulitzer Prize winning author of A Visit From the Goon Squad at an intimate event at my library. (My library director, who also happens to be my