Finding Your Path to Publication: Step-by-Step Guides, #1
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About this ebook
The road to publishing is paved with good intentions…and horror stories of authors who had to learn the hard way.
For the emerging author, the publishing world can be overwhelming. You've written the book, and you're ready to share it with the world, but don't know where to start. Traditional, independent press, hybrid, self-publishing, and online social platforms—all are valid publishing paths. The question is, which one is right for you?
Finding Your Path to Publication is an introduction to an industry that remains a mystery to those on the outside. Learn how each publishing option works, what to expect from the process start to finish, how to identify red flags, and avoid common pitfalls. With statistics, examples, and helpful resources compiled by an industry insider who's been down a few of these paths, this is your roadmap to decide which path you'd like to explore, and where to begin your author journey.
Judy Penz Sheluk
A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of Finding Your Path to Publication and Self-publishing: The Ins & Outs of Going Indie, as well as two mystery series: the Glass Dolphin Mysteries and Marketville Mysteries, both of which have been published in multiple languages. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited. Judy has a passion for understanding the ins and outs of all aspects of publishing, and is the founder and owner of Superior Shores Press, which she established in February 2018. Judy is a member of the Independent Book Publishers Association, Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served on the Board of Directors for five years, the final two as Chair. She lives in Northern Ontario. Find her at www.judypenzsheluk.com.
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Finding Your Path to Publication: Step-by-Step Guides, #1 Rating: 0 out of 5 stars0 ratingsSelf-publishing: The Ins & Outs of Going Indie: Step-by-Step Guides, #2 Rating: 0 out of 5 stars0 ratingsStep-by-Step Publishing Guides: Books 1 & 2: Step-by-Step Guides Rating: 0 out of 5 stars0 ratings
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Finding Your Path to Publication - Judy Penz Sheluk
FINDING YOUR PATH TO PUBLICATION
A STEP-BY-STEP GUIDE
JUDY PENZ SHELUK
Superior Shores PressPRAISE FOR FINDING YOUR PATH TO PUBLICATION
Based on experience and extensive research, Judy has created a digestible and easy-to-follow guide for anyone diving into a new world (to them) of publishing. Sometimes it’s hard to think of your creative masterpiece as
a product." Judy’s guidance both respects your creative process and at the same time presents the realities of the outside world after the writing is done.— K.D. Sullivan, author of A Cure for the Common Word and co-founder, Untreed Reads Publishing
"If you have ever wanted to write and publish a book, but didn’t know where to start, Finding Your Path to Publication is for you. Built on years of experience as a successful author and publisher, Judy Penz Sheluk lays out the steps to getting your book out into the world in a simple to follow format—everything from making sure your book is the best it can be, to branding and social marketing, to pitching your baby to potential publishers. If you are new to the world of publishing, this in an excellent guide to making your dreams become a reality."—Mike Martin, Co-Founder, Writers First
A comprehensive resource for anyone interested in the business side of writing and the latest publishing options. Chock full of practical tips and sage advice, Penz Sheluk delivers the information in easily understandable bites with an insider’s knowledge. A highly recommended must-read for writers at any stage in their career.
—Brenda Chapman, Author of the Hunter and Tate Mysteries
Although this publication is designed to provide accurate information regarding the subject matter and any statistical data covered, the publisher and the author assume no responsibility for errors, inaccuracies, omissions, or any other inconsistencies herein. This publication is meant as a source of information for the reader, and no endorsement or recommendation of any resource or service is intended, nor is it meant as a replacement for direct expert assistance. If such level of skilled assistance is required, the services of a competent professional should be sought.
Finding Your Path to Publication: A Step-by-Step Guide
Copyright © Judy Penz Sheluk 2023
Research Assistance by Emily Nakeff
Edited by Emily Nakeff and Ti Locke
Proofread by Nicky Hill
Cover art by Hunter Martin
Published by Superior Shores Press
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, scanning or otherwise, or through any information browsing, storage or retrieval system, without permission in writing from the publisher.
ISBN Trade Paperback: 978-1-989495-54-4
ISBN Hardcover: 978-1-989495-55-1
ISBN e-book: 978-1-989495-56-8
ISBN Large Print: 978-1-989495-57-5
CONTENTS
Introduction
Paving the Way
Deadlines & Details
Publishing Paths
Managing Expectations
Orphans & Other Realities
Getting Down to Business
Five First Steps
Understanding Copyright
Securing a Literary Agent or Publisher
Understanding Your Options
Traditional (Trade Book) Publishers
Independent Publishers
Hybrid/Assisted Publishing
Self-publishing
Social Publishing
Money Matters
Contracts
Understanding Royalties
Advertising & Promotion
The Write Life
Associations
Free
Money
Writing Conferences & Conventions
Additional Resources
Talking the Talk
Resources by Section
Resources by Category
Author’s Note
Acknowledgments
About the Author
INTRODUCTION
Each November, regional writing chapters and libraries across North America set up workshops and events around National Novel Writing Month—an annual, worldwide challenge in which writers attempt to write 50,000 words in 30 days. In 2021, after learning that I’d been a NaNoWriMo failure
on two previous occasions, the adult programming coordinator at my local library asked if I’d consider hosting a virtual debriefing
on November 30, titled Failing (and Succeeding!) with NaNoWriMo.
I agreed. If nothing else, it would encourage me to not only sign up for NaNoWriMo again, and make a concerted effort to reach the lofty 50,000-word mark for the fourth book in my Marketville Mystery series.
The 50,000 words didn’t happen, though I did come close. Not that it mattered. It turned out the attendees—whether they’d written 50,000 words or not —were far more interested in the publishing process than drilling down on failing or succeeding at NaNoWriMo. Furthermore, the nature of their questions made me realize that the vast majority had absolutely no concept of how to proceed beyond NaNoWriMo. Hint: sending a 50,000-word rough first draft to agents or publishers is not the way to proceed!
What really happens next?
I let that simmer for a few days, then approached the programming coordinator with an idea for a virtual presentation that would explore the pros and cons of various publishing options. She loved the concept, and we settled on a title—Finding Your Path to Publication—a date, and a timeline: five minutes for introductions, fifty-five minutes for the presentation, followed by a 30-minute Q&A. Because the event was virtual, it would be accessible to anyone who wanted to attend, even if they weren’t a library patron or lived outside of the area.
Because the presentation contained so much information, I created a resource document with helpful links for the attendees, the kind of thing I would have loved when I was starting out. It didn’t have all the answers, but it was a place to start.
Finding Your Path to Publication was both well attended and well received, leading to the creation of a spin-off presentation which was equally successful: Self-Publishing: The Ins & Outs of Going Indie.
Fast forward a couple of months, and the Independent Book Publishers Association (IBPA), of which I am a member, sent out a survey asking authors if they had any outside-the-box strategies for business development. I submitted my experience from my two presentations and less than a week later, the Managing Editor of IBPA Independent magazine asked if I’d be interested in penning an article for their May/June 2022 issue.
As a former freelance journalist, the idea of going back to my writing roots and sharing my experience held appeal, and so I agreed. Seeing that article in print also gave me another idea. Why not write a book that would demystify the publishing options available, including the steps required for each one? As a mystery author, I’m a complete pantser, never quite sure where the next chapter will lead, let alone the ending. With this project, I’d have my two presentations as an outline to follow.
The result is this book, but with one caveat: if you’re looking for advice on which path you should choose, you won’t find it here. One path does not fit all.
What you will find is a comprehensive, step-by-step guide to help you understand your options, including a breakdown of publishing and publishers: traditional (Big Five), independent (micro, small, medium, and large), hybrid/assisted, self, and social publishing. Included is information on editors and editing, writing a solid query letter, royalties, understanding copyright, and building your brand.
Throughout these pages, look for the (#AR) symbol, indicating a web link to more information in the Additional Resources section at the back of this book. In the same section, you’ll also find Talking the Talk, a comprehensive reference list of terms frequently used in the publishing world.
And now it’s time to turn the page and find your path to publication.
PAVING THE WAY
DEADLINES & DETAILS
One of the most common mistakes new authors make is sending their book out there
before it’s truly ready. Of course, the reverse is also true. I’ve heard of writers who have been editing and revising the same manuscript for years, never quite able to let it go. The question is, when is the time right, and how will you know when that time has arrived?
Arbitrary and Self-Imposed Deadlines
Maybe you’ve given yourself a timeline to get your project done, a milestone birthday or one year after retirement. Whatever the reason, arbitrary or self-imposed deadlines can be unrealistic. Yes, it’s good to have a goal, a date to work towards. It’s also important to allow yourself, and your book, the flexibility to change and adapt. Which brings us to…
Honest and Objective Feedback
Feedback comes in many forms and at various stages of the writing process. The most important thing to remember is that you are looking for an honest and unbiased evaluation of your work. You won’t agree with every comment or suggestion, but you should at least consider each one without becoming defensive. Consider it thick skin
training for the rejections you’re almost certain to face going forward. Let’s look at some options:
Writing Critique Groups
Writers who connect on a regular basis to share their work for the purpose of remaining accountable to their project, exchanging feedback, and improving their craft. While there are no hard and fast rules, these work best if the group is small—three to five people—allowing each member time to read and respond without becoming overwhelmed, while developing an ongoing and supportive relationship with one another.
Ideally, you’ll also be working in the same genre. There’s no point asking for feedback on your whodunit if your critique partner only reads historical romance and is unfamiliar with the tropes of cozy mysteries. It’s also necessary to establish parameters from the get-go, including weekly word count limits and the type of feedback expected. Are you looking for big picture or line edits? Facebook, your local library, and writing associations can be great sources to find an established critique group or connect with people to form your own.
While critique groups can be invaluable for some writers, they should never be the final step in the review process. As you become immersed in your work for months on end, you will lose objectivity. Those intimately familiar with your work will too.
Critique groups also aren’t for everyone. I’ve never belonged to one. Part of that is my own superstition: if I share it ahead of time, it won’t come true. But mostly—at least when it comes to my fiction forays—it’s because I prefer to focus solely on my work-in-progress without any intervention until the first, and sometimes the second, draft is complete.
Whatever path you choose while writing your novel, honest and objective feedback will be required at some point, and that point should be well understood before you start submitting your novel for representation or consider self-publishing. Writing means rewriting and multiple revisions. Be prepared to let go of your favorite passages, scenes, and characters if your readers and editors agree that they hinder the flow of the story. Conversely, you may have to create new passages and scenes to clarify motive and action.
Alpha Readers
Readers who provide detailed and constructive feedback, both positive and tactfully critical, about your book’s premise, plot, characters, and other elements. Does the story flow, is it well paced, etc.? This is the place to include readers who have knowledge of the technical elements in your manuscript. You may have done extensive research and even if (for instance) appraising Irish bone china from the early Victorian era is your specialty, having a colleague fact-check your work will prove useful.
Whether you choose to hire a professional, or ask a trusted friend or relative, they should be aware that they are commenting on an unpolished (first) draft. They should also be avid readers of your book’s genre or sub-genre.
While a critique group focuses on workshopping with other writers, consider this the first test drive of your overall story from a reader’s perspective. This will help pinpoint any big picture problems that need to be addressed.
Beta Readers
Unlike alpha readers who provide first draft review, beta readers (or betas) critique finished manuscripts before they are published.