The Hemlock Anthology Volume One
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About this ebook
The Hemlock Anthology Volume One is the first-ever anthology by The Hemlock: A Literary Arts Journal. It's a celebration of the diverse voices and creative expressions that unite us across borders and cultures, featuring writers and poets from more than ten countries, spanning India, the United States, the United Kingdom, Australia, Iran, Pakistan and beyond.
From bustling city streets to serene rural landscapes, from the depths of personal introspection to the heights of collective imagination, the works in this volume traverse a wide spectrum of emotions, ideas, and perspectives. They invite us to explore the complexities of the human experience, to empathize with the struggles and triumphs of others, and to find beauty in the tapestry of life itself.
Poetry by Antje Bothin, Ben Nardolilli, Christian Ward, Christopher Arkwright, Christopher Rubio-Goldsmith, Daniel Lockeridge, Diana Kurniawan, Dipti Silvia Romould, Elizabeth Adan, Eman Mansoor, Gerard Sarnat, GTimothy Gordon, James Kangas, John Muro, John RC Potter, Jonathan Fletcher, Jonathan Chibuike Ukah, Laura S. Martineé, M F Drummy, Renee Chan, Rikki Santer, Rina Malagayo Alluri, Ruchi Acharya, Sangni Singh, Shahryar Eskandari Zanjani, Shamik Banerjee, Sophia Jamali Soufi, William Doreski
Prose by Angela Townsend, Clyde Liffey, DC Diamondopolous, Gary Beck, Nick Young, Ruchi Acharya, Sarah Das Gupta, Thomas Elson, Tom Ball
Approximately 140 pages.
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The Hemlock Anthology Volume One - Shazia Parveen
INTRODUCTION
The Hemlock Anthology is the first-ever anthology by The Hemlock: A Literary Arts Journal. It’s a celebration of the diverse voices and creative expressions that unite us across borders and cultures. Within these pages, you will embark on a journey through the vivid landscapes of poetry and prose, and visual art on the covers, crafted by talented individuals from every corner of the globe.
This anthology is a testament to the power of storytelling and the enduring human need to connect, to share our experiences, dreams, and visions. It is a mosaic of voices, each one distinct yet resonating with the universal themes that bind us together as a global community.
From the bustling streets of metropolises to the quiet serenity of rural landscapes, from the depths of personal introspection to the heights of collective imagination, the works contained herein traverse a vast spectrum of emotions, ideas, and perspectives. They invite us to explore the complexities of the human experience, to empathize with the struggles and triumphs of others, and to find beauty in the tapestry of life itself.
In this anthology, you will encounter poets who weave words into exquisite tapestries of emotion, and writers who spin tales that transport us to realms beyond our imagination. Each contribution is a testament to the boundless creativity that flourishes within the human spirit, transcending geographical boundaries and cultural divides.
We are honored to have you join us on this voyage of discovery and exploration, and we look forward to sharing many more adventures with you in the years to come.
~The Hemlock
TABLE OF CONTENTS
Two Worlds (Poetry)
Antje Bothin
AI Is a Poet, I Am a Human (Poetry)
Christopher Arkwright
Angels with Pencils (Non-Fiction)
Angela Townsend
How Can a Person Be Gold? (Poetry)
Eman Mansoor
Bored American, Once-Visitor to Relatives’ Western Galilee Gesher HaZiv Kibbutz Near Northern Border, Kibitzes (Poetry)
Gerard Sarnat
Unveiling the Past: Returning to the Land of Peacocks (Non-Fiction)
Ruchi Acharya
The Gutenberg Galaxy (Poetry)
Ben Nardolilli
Pliosaur Skull (Poetry)
Christian Ward
Permission (Poetry)
Christopher Rubio-Goldsmith
Mutiny (Fiction)
Clyde Liffey
Yo, Picasso (Poetry)
GTimothy Gordon
Sidewalk Café Rendezvous (Poetry)
James Kangas
Safe Harbor (Fiction)
DC Diamondopolous
Lines for Anthony Louis (Poetry)
John Muro
In Fragments (Poetry)
Jonathan Chibuike Ukah
Crowned (Poetry)
Daniel Lockeridge
After the Ride (Poetry)
Diana Kurniawan
It Started to Rain (Poetry)
Laura S. Martineé
Accordia (Fiction)
Gary Beck
If the Body Is a Temple of the Holy Spirit, Then What Is the Mind? (Poetry)
Jonathan Fletcher
1790 (Poetry)
M F Drummy
I Beg for Scraps for Breakfast (Poetry)
Elizabeth Adan
Watercolor (Fiction)
Nick Young
Smoke and Mirrors (Poetry)
John RC Potter
Release Recurring (Poetry)
Rikki Santer
The Devil’s Dog (Fiction)
Sarah Das Gupta
Hers (Poetry)
Sangni Singh
A Persian Poet’s Plea (Poetry)
Shahryar Eskandari Zanjani
Sting (Poetry)
Sophia Jamali Soufi
Exiled to a Hologram World (Fiction)
Tom Ball
Riding Sideways (Poetry)
Rina Malagayo Alluri
The Lone Astronaut (Poetry)
Ruchi Acharya
The Ninth Annual Family Portrait (Flash Fiction)
Thomas Elson
A Late-Night Christmas Dinner (Poetry)
Shamik Banerjee
Autumn Swoons (Poetry)
William Doreski
Sonnet on Regret (Poetry)
Renee Chan
Silvia (Poetry)
Dipti Silvia Romould
Our Brilliant Writers and Contributors
Acknowledgments
Two Worlds
By Antje Bothin
Living in two worlds
Can be challenging but really cool
Two countries I got to know
And two faces of Situational Mutism
One, quiet and invisible
Unseen, unheard in public
The other, loud and chatty
A confident leader at home
The world of black, red and gold
Struggles with humour and joy
The world of royalty, shepherd’s pie and tea
So polite and nice, who would not stay
Living in two worlds
Can be enlightening and really great
It opens the window to new opportunities
So freedom can say hello
~~~
AI Is a Poet, I Am a Human
By Christopher Arkwright
The door is big.
Now tell me your emotions.
Do you feel dominated
By the weight of opportunities?
Does it remind you of a church
And ignite a religious fervour in your soul?
Now what if I told you
The door is just big.
And that’s it.
Do you feel angry?
Do you want more?
Ok.
The door is also long.
You seem to be screaming.
It seems you want more.
Fine, it’s red.
Now you are happy.
For a moment.
Basking in the satisfaction of
Identifying colour imagery.
But it doesn’t mean anything
You tell me.
I tell you it does
I am an AI and I tell you
It is a commentary
On the nature of poems
Some incredibly intelligent references
To critics later,
You still tell me.
No.
That it is not poetry.
And I ask,
Aren’t you the one
Who died a million times
For freedom of expression?
Aren’t you the human?
~~~
Angels with Pencils
By Angela Townsend
I always thought poets were a higher life form.
This is likely because my mother is one, and she is the closest thing I have seen to a seraph on this heavy earth.
She is one in many millions, a liquid storyteller who spins gold from syntax. She can spell a memory in letters that feel like a mail from home, smuggling meaning into beauty. She will make you laugh and make you praise and make you remember you are not alone.
She will always make me want to be a better writer.
From my first poetic infatuations, play-dates with Emily Dickinson and Rumi, I knew I was no poet. I am an unsteady stack of pancakes beside their petits fours. I am the essay in excess, undisciplined flapping beneath their balloons.
Poetry breathes life into me, vital infusions against the hammering day. It is much easier to ply my petulant trade or scoop the litter box, clip coupons for pickles or pluck my eyebrows, so long as my lungs are light with Mary Oliver and David Whyte, Brian Doyle and Mom.
The very title of the magazine Poets and Writers implies two different species, silk swans vs. ducklings in dungarees. I am at peace with my place in this cosmology, grateful just to be in the pond.
But I have stubborn friends who see seraphs splashing in the sludge.
There is May, an octogenarian who responds to my emails with exclamation points punctuated by words. I tell her I’m praying for her, and she proclaims my patter poetry. I shoot Facebook messages reminding her she’s radiant, and she insists they are newborn stars. We snap God-moments back and forth from the album of the mundane, and she prints my mushy missives. Poetry!
I scold May: I’m blithering.
Poetry!
There is Priya, avid reader of my organization’s newsletter, who lives behind kind lenses. Her rose haze likely translates the back of the Cap’n Crunch box into sonnets. She is kind and delusional: Your writing is music.
I scold Priya: That was an article about litter box maintenance.
Everything can be music.
There is Stella, stubborn, a poetry glutton. She inspects my Instagram posts, exhuming individual flecks of glitter from the graveyard of the inane. She shares my slobbering with serious seraphs, reporting back with smugness: Therese says you are a visual poet.
I scold Stella: It’s an Instagram caption.
It’s a gift to the world.
I suppose that is what I’m after. If writing is the one thing I’m sure I’m meant to do — writing and loving, which overlap in a full lunar eclipse in my case — I want to make it an offering.
I suppose I approach my email and my Instagram, my litter literature and my letters, like fireflies. They are small and ubiquitous, common as clover. But if they can cast a little light, I will line up jars as long as there are nights.
I know I’m no poet, no master artisan like my mother. I am an essayist at best, a vomit comet at worst. My writing is humid and unkempt, overgrown and under-crafted.
But I can’t dispute that everything should be music.
I can’t stop doing the one