Loremasters and Libraries in Fantasy and Science Fiction: A Gedenkschrift for David D. Oberhelman

Loremasters and Libraries in Fantasy and Science Fiction:

A Gedenkschrift for David D. Oberhelman

edited by

Jason Fisher and Janet Brennan Croft

Mythopoeic Press 2022

Altadena, California, USA

© 2022 by Mythopoeic Press

Copyright Notice: Mythopoeic Press owns the copyright on the entirety of the text published here as a collective work. As a collective work, it may not be reproduced, reprinted, transmitted, or distributed in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of Mythopoeic Press. Authors with contributions contained in the collective work are the sole copyright owners of their own individual or jointly written essays. Written permission to reprint, reproduce, transmit or distribute any individual essay must be acquired from its author and future publications or public use of any individual essay must acknowledge its original publication in the collective work published here by Mythopoeic Press.

Published by Mythopoeic Press, Altadena, California, USA

www.mythsoc.org/press.htm

Mythopoeic Press is an imprint of the Mythopoeic Society. Orders may be placed through our website. For general inquiries, contact:

press@mythsoc.org

Editor, Mythopoeic Press

P.O. Box 6707, Altadena, CA 91003, USA

ISBN: 978-1-887726-16-0

LCCN: 2015909682

Acknowledgements

David D. Oberhelman’s essay included in this collection was first published as described below. It is reprinted here with minor revisions and by permission from the publisher.

Oberhelman, David. A Brief History of Libraries in Middle-earth: Manuscript and Book Repositories in Tolkien’s Legendarium. Truths Breathed Through Silver: The Inklings’ Moral and Mythopoeic Legacy, edited by Jonathan B. Himes, with Joe R. Christopher and Salwa Khoddam, Cambridge Scholars Publishing, 2008, pp. 81–92.

David Dean Oberhelman’s Curriculum Vitae is included in this collection with the kind permission of his family.

Cover art, The Archivist, by Julie Dillon

Cover design by Megan Kornreich

Book Formatting by Triomarketers.com

Contents

Copyright page

Acknowledgements

Epigraph

Introduction - Janet Brennan Croft and Jason Fisher

Part 1: Archives and Librarianship

The David Oberhelman Collection of Science Fiction, Fantasy, and Tolkieniana at Oklahoma State University - Phillip Fitzsimmons

Cataloging Creatively - Michele Seikel

Part 2: Surveys and Multiple Sources

The Novel in the Library and the Library in the Novel: At the Intersection of Literature and Library Science - Conner Kirk and Victoria Gaydosik

Books! Best Weapons in the World: How Libraries Save the World in Popular Culture - Kristine Larsen

When You Have Read It, It Will Be Destroyed: The Fugitive Archive in Fantasy and Science Fiction - Nicholas Birns

Books Within Books in Fantasy and Science Fiction: You are the Dreamer and the Dream - Phillip Fitzsimmons

Is there an Index to the Prophecies? Or, Finding the Needle in the Enchanted Haystack - Janet Brennan Croft

Part 3: Topics in Tolkien Studies

Legal Precedent and Noldorin History: Míriel’s Weaving - Cami Agan

Recovering Lost Tales: Found Manuscripts in the Works of J. R. R. Tolkien - Jason Fisher

A Brief History of Libraries in Middle-earth: Manuscript and Book Repositories in Tolkien’s Legendarium - David D. Oberhelman

Education (and Poetry Recital) in Middle-earth and in England - Nancy Martsch

Part 4: Other Individual Authors and Sources

L-Space: Libraries and Liminality, A Place of Magic - Elise Caemasache McKenna

Fforde’s BookWorld as Meta-Library - David L. Emerson

Libraries as a Fulcrum of Change: Eric Flint’s Ring of Fire: 1632 - Susan Adams-Johnson and Anna Holloway

My kind of librarian or your kind of librarian?: Information Seeking Behavior in Supernatural Liorah Golomb

Curriculum Vitae - David Dean Oberhelman

About the Contributors

Notes

She closed the book and put her cheek against it.

There was still an odor of a library on it, of dust,

leather, binding glue, and old paper, one book

carry in the smell of hundred

— Shannon Hale, The Goose Girl

Introduction

Janet Brennan Croft and Jason Fisher

Festschrift. The term, borrowed from German, and literally meaning celebration writing (cognate with feast-script), might be translated as celebration publication or celebratory (piece of) writing. An alternative Latin term is liber amicorum (literally: book of friends). A comparable book presented posthumously is sometimes called a Gedenkschrift (pronounced [ɡəˈdɛŋkʃʁɪft], memorial publication), but this term is much rarer in English. (Wikipedia)

DAVID DEAN OBERHELMAN WAS born in Lubbock, Texas in 1965 and earned his Bachelor’s Degree from Rice University in Houston, Texas, MA and PhD degrees in English from the University of California at Irvine, and a Master’s Degree in Library and Information Science from the University of Pittsburgh in Pennsylvania. Oberhelman was the W. P. Wood Professor of Library Service at the Edmon Low Library at Oklahoma State University from 1997 until his untimely death of complications from influenza in early 2018. His scholarly interests were wide-ranging, as indicated by the curriculum vitae reproduced at the end of this volume, and he was a gifted teacher and editor as well. Oberhelman’s books and papers were acquired by the Oklahoma State University Archives Repository and consist of some 35 linear feet of printed materials, science fiction film and television DVDs and other media, artwork, calendars, souvenirs, and realia, only partially cataloged at this date. Phillip Fitzsimmons’s report on the opening exhibit of this collection is included in this volume.

The editors of this volume knew David best from his long association with the Mythopoeic Society, particularly his service as the Mythopoeic Press Editor from 2006 to 2010, continuing after that as Advisory Board Member, and as Mythopoeic Society Awards Administrator from 2007 to 2018. He also served from 2010–2013 as a judge for the Alexei Kondratiev Award for best student paper presented at Mythcon, and was paper coordinator for Mythcon 45 in Norton, MA, in 2014.

Janet writes:

I most likely met David Oberhelman at a state library meeting of some sort shortly after I began working at the University of Oklahoma Libraries in 2001; he had already been at Oklahoma State University Libraries for two years by that time, and the Oklahoma library world is small, friendly, and tightly knit. But I first got to know David well when I hosted Mythcon 37 in Norman, Oklahoma in 2006 and he served as registrar for the conference. He quickly became indispensable to the Society, serving in many capacities over the years. He was also indispensable to me, as a colleague in multiple professional and scholarly areas, and as a friend. We were active together in the Southwest Popular and American Culture Association, where he chaired the Digital Humanities Area beginning in 2013, and after his death just days before SWPACA’s annual conference in February 2018, I had the sad duty of sharing the news with his panelists and his fellow area chairs. Reading through his curriculum vitae, I deeply regret that many of his perceptive, quirky, and fascinating conference presentations in both literary criticism and library studies were never worked up into published articles. I miss his booming voice and laugh, his encouragement of new scholars, and his insightful comments tremendously every year at Mythcon and SWPACA; I keep expecting to turn a corner and see him there.

Jason writes:

I met David in the spring of 2006 at the annual conference of the C. S. Lewis and Inklings Society. It was the first conference in which I was presenting a paper of my own. David missed hearing my paper in person, but he introduced himself afterwards. As it happens, the essay David presented at this very conference is the one we have reprinted in this memorial volume.

We hit it off immediately. We shared similar interests, including J. R. R. Tolkien and mythopoeic literature. And while David was born in Texas and moved to Oklahoma, I had made the opposite migration; I was born in Oklahoma and had moved to Texas. In our first conversations, David mentioned the Mythopoeic Society and encouraged me to attend Mythcon later that year. I was already planning on it, and I was delighted to learn more about the Society, in which David was a longtime Steward (like my co-editor, Janet Brennan Croft; and as I would be myself before long). Mythcon that year was being chaired by Janet in Norman, Oklahoma, an easy drive from my home in Dallas at the time. It would turn out to be the first of many Mythcons, at which David was always a perennial figure, always in good spirits and always willing to lend a hand.

In addition to crossing paths at many other academic conferences over the years, we both contributed to Michael Drout’s encyclopedia on Tolkien—each writing twelve entries—and we bounced drafts and ideas off of each other. For a few years, I read for the Mythopoeic Awards Committee, over which David presided at the time. During my tenure as the editor of Mythprint, he was always good for a book review when I was running short of content. David was very active in the fan community, participating in Reading Room discussions on TheOneRing.net and threads of all kinds on the Mythopoeic Society’s email discussion list and on Facebook. He was always supportive and encouraging, particularly to new and less experienced scholars. In the early years of our friendship, he read many drafts of my essays and reviews and always offered thoughtful comments and suggestions.

The core concept of this collection developed from panel discussions led by David Oberhelman at several different venues: the Mythopoeic Society annual conference, the Southwest Popular and American Culture Association conference, and visits with the University of New Mexico Hobbit Society. For these panels David drew together a group of fantasy, science fiction, and comics scholars to discuss libraries and librarians, archives and archivists, research and researchers, writing, book arts, and related topics as depicted in these genres. This then led to conversations about research methods useful to our audience, who might be undergraduates, established scholars, or a mix, who were hungry for advice about finding, accessing, and managing resources in these genres and getting their research published. The papers by Croft and Larsen are direct results of these panels. Papers by Seikel and by Gaydosik and Conner were inspired by professional interactions with David in the Oklahoma library and academic world.

In this collection we were not aiming for strictly serious scholarly literary criticism, but for a range of approaches exploring some of the topics, sources, and themes that interested Oberhelman. Our contributors explore the enduring importance of the historical record in its many forms, the concept of writing as a creative gateway to other worlds, the otherworldly geometries of the interconnectedness of information represented as what Terry Pratchett called L-space, and the presentation of empowerment through scholarship, to borrow a phrase from one of our contributors (Fitzsimmons 72).

Two pieces on aspects of librarianship lead us off. We start with a report by Phillip Fitzsimmons on portions of David Oberhelman’s own collection which were exhibited at the Edmon Low Library at Oklahoma State University. Oberhelman’s donations to the OSU Archives primarily consist of artwork, books, and objects relating to J. R. R. Tolkien and film adaptations of his work, with additional material awaiting cataloging. Michele Seikel uses examples related to Inklings scholarship to provide an introduction to principles of cataloging used by professional librarians, and considers the place of creativity in a process that is as much art as science.

Each paper in the second group of essays surveys a particular theme across multiple sources. Victoria Gaydosik and her student Conner Kirk report on an assignment to collect and annotate a list of novels featuring libraries as key elements of the story; the resulting reading list broadens the initial assignment to include bookstores, private collections, and book-loving characters in fantasy, romance, mysteries, historical fiction, and even a few works of non-fiction. For the voracious reader, what could be more delightful than a list reminding one of old favorites and recommending new things to read?

Kristine Larsen examines libraries as preservers of culture and knowledge in fantasy and science fiction. Larsen notes that books can save your life or get you killed in an essay that ranges widely across the genre—from Doctor Who to Game of Thones to the often-maligned disaster film, The Day After Tomorrow, in which physical books are burned to generate warmth in subzero temperatures. In addition to books being able to save our lives—through the transmission of knowledge or even through the transmission of thermal radiation—we have a duty to save them from wanton acts of libricide as well.

Nicholas Birns explores a melancholy trope in fantasy and science fiction novels: the fugitive archive, the book that disappears once read, the lost library. We confront, in these works, the ephemeral nature of what would ideally be permanent. In a similar vein, Phillip Fitzsimmons examines books and media that exist not in the real world, but only within the world of another book: fictional or invented books that are, in these particular works, essential to their plot, character development, and setting.

Janet Brennan Croft considers how research methods are depicted in the works of J. R. R. Tolkien, Terry Pratchett, Neil Gaiman, and Joss Whedon. Croft observes that in fantasy literature, we seldom see the application of such real-world finding aids as catalogs and indexes, even by authors who know perfectly well how libraries and librarians really work. More often, in the service of dramatic effect, fantasy and science fiction stories rely on the prodigious memories of single authorities, as well as serendipity, good instincts, technology, and magic.

The next section of papers deals with J. R. R. Tolkien, a major focus of Oberhelman’s scholarship and collecting. Cami Agan meditates on the unique way in which the elven character Míriel records history through weaving—and her own highly significant place in the history and laws of the Elves.

Jason Fisher examines the found manuscript trope Tolkien used (in surprisingly many of his works) to lend an air of verisimilitude, to distance himself as creator from his creation, and simply to add, in the tradition of authors like Edgar Allan Poe, Mary Shelley, Jules Verne, and H. Rider Haggard, a frisson of mystery to the tale.

David Oberhelman’s own seminal paper on libraries and archives in Middle-earth is reproduced here; in addition to cataloging the many material collections alluded to in Tolkien’s legendarium, it considers the progression from oral to written culture and the development of collections of written material in our own world.

Complementing Oberhleman’s essay quite well, Nancy Martsch takes a broader view of education and the acquisition of literacy as represented in the practice of poetry recitation in both our own real world and in J. R. R. Tolkien’s Middle-earth. Martsch shows how poetry recitation in England during Tolkien’s own day may have influenced similar depictions of literacy in his fictive world.

Our final group of essays deals with other individual authors. Elise McKenna returns to Terry Pratchett, touched on earlier in Croft’s paper, to further explore the concept of L-space: the interconnectedness of libraries, both fictionally and in our primary world.

David L. Emerson then discusses the interconnectedness of genres in Jasper Fforde’s Thursday Next series, in which the fictive worlds inside books are in some sense actually real and can be entered into and explored. Moreover, these inner realities are all connected to each other in BookWorld, a kind of fictive meta-universe that Fforde’s characters—and likewise his readers—can access directly.

From here, Susan Adams-Johnson and Anna Holloway introduce us to the fascinating thought-experiment of 1632, in which Eric Flint, and subsequently other authors, ask what would happen if a piece of present-day West Virginia were transported intact through time and space to 17th-century Germany. Of more moment to the present collection, how important might 20th-century books, archives, and libraries become in an alternate history of the Thirty Years’ War and the American Revolution?

And finally Liorah Golomb looks at information-seeking behavior as depicted over the course of the long-running television series Supernatural, a series that relies heavily on searching out and using esoteric information in order to protect humanity from the monsters lurking in the dark spaces of our world.

There is something recursively satisfying in books about books, research about research, writing about writing, the librarianship section in a library. We hope that you enjoy reading this collection as much as we enjoyed collecting the material in it!

A Partial Bibliography of Works Written or Edited by David D. Oberhelman: On Fantasy and Science Fiction Topics

Angband, Class in Tolkien’s Work, Hierarchy, J. M. Barrie, Justice/Injustice, Marxist Readings of Tolkien, Oral Tradition, Philippa Boyens, Possessiveness, Textual History: Errors and Emendations, Towers, and Valinor. J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment, edited by Michael D. C. Drout, Routledge, 2007.

A Brief History of Libraries in Middle-earth: Manuscript and Book Repositories in Tolkien’s Legendarium. Loremasters and Libraries in Fantasy and Science Fiction: A Gedenkschrift for David Oberhelman, edited by Jason Fisher and Janet Brennan Croft, Mythopoeic Press, 2022, pp. 155–65. Originally published in Truths Breathed Through Silver: The Inklings’ Moral and Mythopoeic Legacy, edited by Jonathan B. Himes, with Joe R. Christopher and Salwa Khoddam, Cambridge Scholars, 2008, pp. 81–92.

‘Coming to America’: Fantasy and Native America Explored, an Introduction. The Intersection of Fantasy and Native America: From H. P. Lovecraft to Leslie Marmon Silko, edited by David D. Oberhelman and Amy H. Sturgis, Mythopoeic Press, 2009, pp. iii–vii.

From Iberian to Ibran and Catholic to Quintarian: Bujold’s Alternate History of the Spanish Reconquest in the Chalion Series. Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy, edited by Janet Brennan Croft, McFarland, 2013, pp. 159–71.

"‘Out of the Unknown Past into the Unknown Future’: Information Technology and Degradation in H. G. Wells’s The Time Machine." Presentations of the 2010 Upstate Steampunk Extravaganza and Meetup, edited by Gypsey Elaine Teague, Cambridge Scholars, 2011, pp. 33–44.

With Amy H. Sturgis, editors. The Intersection of Fantasy and Native America: From H. P. Lovecraft to Leslie Marmon Silko. Mythopoeic Press, 2009.

Part 1: Archives and Librarianship

The David Oberhelman Collection of Science Fiction, Fantasy, and Tolkieniana at Oklahoma State University

Phillip Fitzsimmons

IN SEPTEMBER 2020 I drove to the Oklahoma State University (OSU) Stillwater campus to see The David Oberhelman J. R. R. Tolkien Collection exhibit, on display on the Edmon Low Library’s second floor mezzanine in the Lisa and Mark Snell Gallery.

Photograph and Facebook post by William Davis

Honoring the memory of David Oberhelman, my friend and colleague in the Mythopoeic Society, this exhibit introduces the viewer to the life and work of J. R. R. Tolkien and discusses the development of The Hobbit and The Lord of the Rings. It concludes with a demonstrable truth about Tolkien’s legendarium and Middle-earth: posthumous works such as The Silmarillion and the volumes of The History of Middle-earth have continued to further flesh out the world and its history.

Whitney Vitale, the Head of Access Services, noted that the exhibit was being promoted heavily on the library’s social media and said the Facebook post on the previous page sums up what is on display.

William Davis, Senior Communications Specialist, emailed me that the exhibit presents only part of the collection officially named the David Dean Oberhelman Collection of Science Fiction, Fantasy, and Tolkienana Books that resides in the OSU Archives.

Davis continued to describe the collection:

There’s a wide array of materials in the collection, including several editions of all of Tolkien’s published work, I believe two items featuring hand-written notes and signatures from Tolkien, several statuettes and miniatures of the film adaptation’s depictions of characters and locations, a tile from one of the sets of the film adaptations, Tolkien themed calendars featuring paintings of scenes from the books, a large print of a painting of Gandalf riding to Minas Tirith, other bits of memorabilia, as well as a plethora [of] other fantasy and sci-fi books and movies.

According to David Peters, Head of Archives, the exhibit would remain on display through March 2021 and perhaps longer. He writes that the collection is housed in the Library Auxiliary Building which is not open to the public. The collection utilizes 35 shelf feet of space. Information about the collection may be accessed through archivesspace.library.okstate.edu/repositories/3/resources/1456.

Although it is not open for immediate walk-in viewing by the public, the collection is well worth a visit for fantasy scholars and enthusiasts. To view the materials with proper notice to the Archives department, requests can be made at archives.library.okstate.edu.

Cataloging Creatively

Michele Seikel

A PERSON WALKS INTO A library with a memory of having heard of a Tolkien prequel which wasn’t published until long after The Lord of the Rings. But she has no idea what the title of the prequel is. So, on her first try she plugs the name Tolkien into the library’s online catalog. If the person doesn’t know the title, where will that keyword search take her? To a jumble of records, obviously. The well-known Tolkien works will come up, but also records for several lesser-known works, perhaps, and very possibly records for works about Tolkien literature and literary criticism. If the searcher looks carefully at each of those records, she might find information to tell her something about the plots. That’s what might lead her to an informed choice of works to take home or download. But where do all those catalog records come from?

What is cataloging, and what does it do for the seeker of information?

What, really, is the purpose of cataloging? In the results of a Delphi study conducted with the editorial board of Cataloging & Classification Quarterly in 2010, the following concept emerged:

Cataloging: an active process of resource description, the purpose of which is to facilitate resource discovery for information retrieval and collection management. The process involves rendering the details of a resource in a surrogate description, linkage of the description with authority files that identify the resource’s creators, subjects and bibliographic relationships, its placement via classification within a curated collection, and maintenance of the entire apparatus, including external links to bibliographic databases and the semantic Web. (Smiraglia 649)

The definition emerging from the study certainly does not rule out the application of creativity to the cataloging process, which can be ongoing in the case of serials and has been a worldwide collaboration since the OCLC database enabled record-sharing activities within the library community in the 1970s. OCLC maintains the largest bibliographic database in human history, with over a billion records. It is deeply international, multi-linguistic, and collaborative by definition. Most records to be found in it were created by individual catalogers working with books in hand. However, there are also millions of catalog records describing electronic resources which were simply copied from the records for the original, printed titles, with descriptive elements added for the digital aspects. Many of these were machine-generated. That may continue to be the case for digitized electronic resources for the foreseeable future.

The types of data that modern bibliographic records can contain include such elements as summaries, content notes, established name headings, and elaborate sets of subject headings. These elements are brought together by the cataloger to enable the library user to more easily find, evaluate and access works both in library collections and on the Web.

In the case of the catalog record for Truths Breathed Through Silver (OCLC #191245039), it includes a reproduction of the complete table of contents and 24 subject headings covering numerous topics addressed in the chapters. The cataloger must have been very familiar with the book by the time this catalog record was completed. Shown below is how the record displays in a local catalog.

Truths breathed through silver: the Inklings’ moral and mythopoeic legacy.

Contributor

Jonathan B. Himes editor.

Joe R Christopher

Salwa Khoddam

Subjects

Tolkien, J. R. R. (John Ronald Reuel), 1892–1973—Criticism and

interpretation

Lewis, C. S. (Clive Staples), 1898–1963—Criticism and interpretation

MacDonald, George, 1824–1905—Criticism and interpretation

Williams, Charles, 1886–1945—Criticism and interpretation

Lewis, C. S. (Clive Staples), 1898–1963

MacDonald, George, 1824–1905

Tolkien, J. R. R. (John Ronald Reuel), 1892–1973

Williams, Charles, 1886–1945

Inklings (Group of writers)

English literature—20th century—History and criticism

Fantasy literature, English—History and criticism

Christianity and literature—Great Britain—History—20th century

Christianity and literature

English literature

Fantasy literature, English

Inklings (Group of writers)

Intellectual life

Inklings

Oxford (England)—Intellectual life—20th century

England—Oxford

Great Britain

1900–1999

Criticism, interpretation, etc

History

Description

C. S. Lewis’s three paths to God : A keynote address for C. S. Lewis for the twenty-first century / Doors out and doors in : the genius of myth / From ruined city to edenic garden in C. S. Lewis’s The magician’s nephew / The allegory of lust : textual and sexual deviance in The dark tower / A Brief history of libraries in Middle-earth : manuscript and book repositories in Tolkien’s Legendarium / Tolkien’s fortunate fall and the third theme of Ilúvatar / Screwtape and the philological arm : Lewis on verbicide / The role of mathematics in the spiritual journey of George MacDonald / The sacrament of the stranger in C. S. Lewis, J. R. R. Tolkien, and George MacDonald / Lewis, Tolkien, and Williams as spiritual mentors /

Publisher

Newcastle, U.K. : Cambridge Scholars Pub.

Creation Date

2008

Format

xviii, 160 pages ; 22 cm.

Language

English

Identifier

ISBN : 9781847184443

ISBN : 1847184448

Some of those subjects are FAST headings which were added to the record later. FAST terminology is an enumerative, faceted subject heading schema derived from the Library of Congress Subject Headings (LCSH) (FAST). OCLC Research and the Library of Congress invented this schema in 1998. It’s simple, easy to use, and modern, with 1.7 million individual headings for use. FAST is designed to produce better matches to the user’s keyword searches. The record also has a URL for an online version of the table of contents. This bibliographic description of a work of literary criticism will bring readers interested in numerous issues related to the members of the famous Inklings group of British fantasy writers of the 20th century to it, as well as to help them decide if it contains data of specific interest to them.

The record for Baptism of Fire: The Birth of the Modern British Fantastic in World War I (OCLC #919098451) includes a summary note taken directly from the back cover of the volume as well as fourteen subject headings and a reproduced table of contents. The contents and summary notes are reproduced below.

The purest response of fantastika to the world storm / Janet Brennan Croft—Section 1 The Inklings—The shell-shocked hobbit: the First World War and Tolkien’s trauma of the ring / Michael Livingston—Faramir and the heroic ideal of the twentieth century; or how Aragorn died at the Somme / S. Brett Carter—Wounded by war: men’s bodies in the prose tradition of The Children of Húrin / Margaret Sinex—Sméagol and Déagol: secrecy, history, and ethical subjectivity in Tolkien’s world / E. J. Christie—The preservation of national unity by [dis]remembering the past in Tolkien’s The Hobbit and The Lord of the Rings / Nora Alfaiz—Now often forgotten: Gollum, the Great War, and the last alliance / Peter Grybauskas—Beyond the circles of this world: the Great War, time, history, and eternity in the fantasy of J. R. R. Tolkien and C. S. Lewis / Shandi Stevenson—Silent wounds / Andrew Krokstrom—The Great War and Narnia: C. S. Lewis as soldier and creator / Brian Melton—Horses, horoscopes, and human consciousness: Owen Barfield on making meaning in his post-WWI writings / Tiffany Brooke Martin—Section 2 Outside the Inklings—The door we never opened, British alternative history writing in the aftermath of World War I / Nick Milne—A deplorable misfit: the symbolism of desire in G. K. Chesterton’s The Crimes of England / Philip Irving Mitchell—Lord Dunsany and the Great War: Don Rodriguez and the rebirth of romance / David J. Carlson—From Lolly Willowes to Kingdoms of Elfin: the poetics of socio-political commentary in Sylvia Townsend Warner’s fantasy narratives / Meyrav Koren-Kuik—The conqueror Worm: Eddison, modernism, and the war to end all wars / Jon Garrad—E. R. Eddison and the age of catastrophe / Joe Young—T. H. White and the lasting influence of World War I: King Arthur at war / Ashley Pfeiffer—Contributors—Index.

World War I has been called the poets’ war, as it was characterized by a massive outpouring of works of literature during and after the war. Much of this literary harvest, as Paul Fussell brilliantly demonstrated in The Great War and Modern Memory, hinged on an ironic response to the deadly absurdities of World War I. Yet, Fussell also acknowledges that fantasy could be a legitimate literary response to the war, a way of transforming the horrible experiences of the war into something more bearable, applicable, and relevant; into myth and Escape in the sense that Tolkien used the term in On Fairy-stories." This present volume sprang from a desire to examine selected examples of the fantastic response to World War I among British authors. The contents comprise a mix of five classic articles from the pages of Mythlore and twelve new essays. The first half of the book considers the Inklings, the Oxford literary group centered on J. R. R. Tolkien and C. S. Lewis, while the second half deals with other authors"—Back cover.

All of the words in these notes are fully indexed. Catalogers can choose to provide these detailed descriptive elements within a catalog record—they are not required by bibliographic standards. Does their inclusion in the catalog record produce what could called a work about a work?

What are some of the tools/systems librarians use?

Over a billion bibliographic records have been created and contributed to the world’s largest bibliographic database, OCLC WorldCat, which is located in Ohio. Each of these records contains information about a work, usually published, and the record is designed to help a library user find it in a database or catalog. These records are shared with local libraries all over the world via subscription. Within the OCLC WorldCat database are records of works from all over the world, but the majority remain English language records written to describe and record English-language works. These records are of varying length and quality. Many older records contain little more than title, author, and publication information. But more recently written records can be far more detailed and contain a great deal of information about the works they describe. The OCLC database also contains tens of thousands of records for established (standardized) author and editor names, names of corporate bodies of all kinds, and the