No one will take her child from her — it is always best to run but, to defend the innocent, sometimes you must fight.
Flin knows stories. She knows songs. Give her an instrument and she’ll play it. She can lead dances slow and dances fast, make grown men and women weep, make them laugh. Her teacher told her she was the best he had ever seen. But all Flin wants is to find the home she lost.
She certainly did not mean to have a baby.
Now alone in the world but for Kadan, Flin knows almost constant fear, but she will never give up. Somewhere, in a high village deep in the woods, far away from the big cities, her family — and safety — await. Nothing will stop her: not the ghosts in the mountains, not wolves or lions, not magic, man, or death itself.
And nothing will take her baby. Not again.
Set at two pivotal points, Death In Harmony weaves together strands of Flin’s life, connected by her powerful determination, her will to survive, and the need to protect Kadan, no matter the cost — and the cost can be very high indeed.
Flin knows stories. She knows songs. Give her an instrument and she’ll play it. She can lead dances slow and dances fast, make grown men and women weep, make them laugh. Her teacher told her she was the best he had ever seen. But all Flin wants is to find the home she lost.
She certainly did not mean to have a baby.
Now alone in the world but for Kadan, Flin knows almost constant fear, but she will never give up. Somewhere, in a high village deep in the woods, far away from the big cities, her family — and safety — await. Nothing will stop her: not the ghosts in the mountains, not wolves or lions, not magic, man, or death itself.
And nothing will take her baby. Not again.
Set at two pivotal points, Death In Harmony weaves together strands of Flin’s life, connected by her powerful determination, her will to survive, and the need to protect Kadan, no matter the cost — and the cost can be very high indeed.