An exiled fox-spirit. A guilt-ridden swordsman. An empire determined to silence them both. As the gods of land and sea clash over Okuni's soul, she consumes her divine life force to forge a radical, transgressive theatre on Kyoto's muddy riverbeds—sparking a rebellion of art and magic that refuses to die.

Kyōto, 1600. The mud of Sekigahara has dried, and the iron grip of the Tokugawa Shogunate is closing over Japan.

Okuni, an exiled shrine maiden, arrives on the dry Kamo riverbed with nothing but a tambourine and a fierce refusal to be silenced. Gathering a troupe of outcastes, sex workers, and marginalized artists, she creates Kabuki—a theatre of wild joy and biting political satire that gives voice to the voiceless and draws the fury of a paranoid regime.

By her side is Niten, a scarred and weary swordsman destined to become the legendary Miyamoto Musashi. Searching for the philosophical "Void" to escape his bloody past, Niten finds in Okuni's radical art a perfect mirror to his own transition from killer to architect and artist.

But Okuni's vibrant spirit hides a cosmic secret. Her brilliant creations are fueled by a divine life force, and as the Shogunate tightens its laws to banish women from the stage forever, a devastating celestial war erupts beneath the tides. To protect her legacy from the wrath of an empire, Okuni must weaponize her art, sparking a defiance that will transcend centuries.

Blending the gritty historical authenticity of a grounded historical fiction with the myths of a Shintō fantasy, The Kabuki Book is a sweeping, centuries-spanning masterpiece of art, survival, and an ode to those who refuse to be erased.

Written with a lyrical, unapologetic voice, the novel spans two interlaced epic scales: the gritty, visceral birth of a theocratic regime obsessed with caste purity, and the sweeping Shinto fantasy of gods clashing over a fragile soul. Culminating in a modern-day epilogue where a challenge to academia reclaims Okuni's foundational history, this novel is a defiant roar against historical erasure.

Blending the immersive folklore of Lian Hearn's Tales of the Otori with the feminist mythic reclamation of Madeline Miller's Circe, it explores the violent birth of Japan's most famous theatre and the philosophical awakening of its most lethal swordsman. This is a sweeping and unapologetic historical fantasy. It will strongly appeal to readers of R.F. Kuang's Babel who are looking for a visceral, anti-authoritarian story about marginalized creators fighting against systemic erasure.

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