A grieving Danish historian arrives in a small Swedish town to catalogue an archive. What she finds instead is a voice.

Margrete Bilde, sixty-one, has come north after her husband's death, carrying her professional distance like armour. In the uncatalogued boxes of a parish library, she discovers 18 sheets of rough paper covered in brown ink—a journal written by a fifteen-year-old farm girl named Brita Eriksdotter during the catastrophic Swedish famine of the 1690s.

As Margrete translates Brita's account of a family slowly losing everything—the failed harvests, the slaughtered cow, the bark ground into flour, the sister who grows lighter by the week—the girl's voice begins to overtake her. Margrete stops eating. Stops sleeping. Stops calling her daughter. She is going under, pulled down by a three-hundred-year-old winter she cannot leave.

It takes a stubborn librarian, a quiet geologist, and the slow return of the northern light to call her back to the surface. But Brita's journal has changed her. The question is no longer what happened to the girl. The question is what happens to the woman who found her.

The Children of the Long Winter is a novel about what we owe the dead, what the dead give back, and what it means to read a life you can never save.

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